Choosing the Villain PDF Print E-mail
Monday, 23 February 2009

bp.jpg  I’ve noticed that when given the choice in creative workshops and therapy sessions participants often gravitate towards the villain of the story.  Is this because the hero or heroine doesn’t address or satisfy the risk dynamic?  Or is it because by inhabiting the villain the hero/ heroine’s positive attributes are reinforced through a default of consciousness or imagination?

 

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